The Brown Sisters, Group Portraits of 4 Sisters Taken Every Year For 36 Years by Nicholas Nixon

Brown Sisters

Using an 8×10-inch view camera, American photographer Nicholas Nixon began shooting lovely black and white portraits of the Brown Sisters: his wife Bebe and her sisters, Heather, Mimi and Laurie, in 1975. They decided to make it an annual tradition and were photographed together for 36 straight years (until 2010). The blog 22 Words notes that they always pose in the same order: Heather, Mimi, Bebe, and Laurie. The project is called “The Brown Sisters” and in 2008, a book titled Nicholas Nixon: The Brown Sisters. Thirty-Three Years was created chronicling its first thirty-three years. The photos from the series can be viewed at MoMA archives.

In August of 1974, the photographer Nicholas Nixon made a group portrait of his wife, Bebe, and her three sisters, Heather, Mimi and Laurie–the Brown sisters. He did not keep that image, but in 1975 he made another portrait of the four, who then ranged in age between 15 and 25. Working with an 8×10-inch view camera, whose large negatives capture a wealth of detail and a luscious continuity of tone, Nixon did the same in 1976, and this second successful photograph prompted him to suggest to the sisters that they assemble for another portrait every year. The women agreed, and have continued to agree every year since.

In 1999, when the resulting series of photographs reached its twenty-fifth anniversary, The Museum of Modern Art published The Brown Sisters, presenting all of the portraits in sequence. That edition is out of print. Now, as the family’s “annual rite of passage,” as Nixon has called it, hits year 33–a third of a century–the Museum is publishing a second edition, including eight new photographs that bring the series up to date. “We might wish,” writes Peter Galassi, the Museum’s Chief Curator of Photography, “that our family included a photographer of such discipline and skill but otherwise Nixon’s pictures do what all family photographs do: they fix a presence and mark the passage of time, graciously declining to expound or explain.”

via 22 Words

Written by Rusty Blazenhoff

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