Much of this film is a personal story that recalls nine very specific instances of my life. These are memories that have repeatedly haunted me throughout my youth and adulthood. The memories regularly reflected times of bliss mixed with sullen, miserable moments.
Ultimately, the story thread focuses on cycles, and choosing 3D printed zoetropes as the metaphor and medium within a short film seemed perfect to share a story about childhood, religion and relationships. After all, ‘Zoe’ translates as ‘life’ and ‘trope’ is a reoccurring motif. 3D Printing, handcrafting and manufacturing these zoetropes are physical representations that impart a physicality within this film.
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