Material World is my response to our contemporary consumer milieu. By treating these artifacts of consumer culture as Duchampian-inspired Assisted Readymades, I photograph assemblages, both created by my own hand or existing naturally, that form monuments, or totems, serving as precarious externalizations of culture and social biography. The photographs of the totems then serve as symbolic mirrors, that serve as points of reflection for my own contemplative gaze and that of society’s. The photographs speak of accumulation and materiality and aim to encourage debate about consumption and the ways in which we feel compelled to consume.
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