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	<title>Comments on: Kevin Evans Art Show &#8220;Mythos&#8221; at Chez Poulet Gallery</title>
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	<link>http://laughingsquid.com/kevin-evans-art-show-mythos-at-chez-poulet-gallery/</link>
	<description>art, culture and technology from San Francisco and beyond</description>
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		<title>By: John Law</title>
		<link>http://laughingsquid.com/kevin-evans-art-show-mythos-at-chez-poulet-gallery/comment-page-1/#comment-296244</link>
		<dc:creator>John Law</dc:creator>
		<pubDate>Wed, 26 Sep 2007 02:08:43 +0000</pubDate>
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		<description>Samson van Overwater? Fake name if I ever saw one. Samson Shiliitoe more likely. 
Kevin&#039;s art speakers for itself and eloquently. Go see it.</description>
		<content:encoded><![CDATA[<p>Samson van Overwater? Fake name if I ever saw one. Samson Shiliitoe more likely.<br />
Kevin&#8217;s art speakers for itself and eloquently. Go see it.</p>
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		<title>By: Samson van Overwater</title>
		<link>http://laughingsquid.com/kevin-evans-art-show-mythos-at-chez-poulet-gallery/comment-page-1/#comment-296059</link>
		<dc:creator>Samson van Overwater</dc:creator>
		<pubDate>Tue, 25 Sep 2007 20:58:26 +0000</pubDate>
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		<description>In order to make any sense at all out of:

My imagery is a concoction of influence from the natural concealed world, instinct, and the cavernous depths of imagination and subconscious. The process is a provoking push and pull journey within medium and self with sporadic introductions of chaos to ensure an unpredictable voyage towards the concluding outcome. When working, I investigate the interior terrain favoring an existence within a silent emblematic space. I deposit symbols, characters, and texture -following an intuitive voice leading to unanticipated and surprising consequences. The creation first begins as a sequence of visual ramblings in sketchbook. Intermittently, unsystematic rudiments and marks of disorder are introduced; on occasion regions destroyed or erased acting as a reaction trigger. Itâ€™s a procedure of embracing an atmosphere of unpredictability and Memento Mori. When the illustration has attained a condition of termination, it is then transmitted to canvass, panel, or printed in the intaglio method or other, varied mediums.

one might look at Water in the Lake by Kenneth Maue, The &quot;formula&quot; for this wordplay can be found there. And, more interestingly!</description>
		<content:encoded><![CDATA[<p>In order to make any sense at all out of:</p>
<p>My imagery is a concoction of influence from the natural concealed world, instinct, and the cavernous depths of imagination and subconscious. The process is a provoking push and pull journey within medium and self with sporadic introductions of chaos to ensure an unpredictable voyage towards the concluding outcome. When working, I investigate the interior terrain favoring an existence within a silent emblematic space. I deposit symbols, characters, and texture -following an intuitive voice leading to unanticipated and surprising consequences. The creation first begins as a sequence of visual ramblings in sketchbook. Intermittently, unsystematic rudiments and marks of disorder are introduced; on occasion regions destroyed or erased acting as a reaction trigger. Itâ€™s a procedure of embracing an atmosphere of unpredictability and Memento Mori. When the illustration has attained a condition of termination, it is then transmitted to canvass, panel, or printed in the intaglio method or other, varied mediums.</p>
<p>one might look at Water in the Lake by Kenneth Maue, The &#8220;formula&#8221; for this wordplay can be found there. And, more interestingly!</p>
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