The Step Seats of New York City

Up – down, everywhere you go – there they are, always underfoot. It’s a bridge between here and there, we use them every day, never think about them – unless we trip over them.

Steps, my friend, I’m talking steps, the great connector between the ground and everything above it and below it. Old or new, stone or steel, it’s the steps that get us where we have to go. But steps are not only for walking, but for sitting as well.

An age-old idea butt polished to perfection with a certain finesse in New York City, the art of sitting within reason (not always practical though) where ever you want, but never, never on a bench. Curbs, sidewalks, store window fronts, fountain rims are all fair game for taking and making phone calls and contemplating your navel, but its the steps that make the day. A place to rest, have a phone chat, drink a beer, and most of all, hang and just watch the world go by.

Step seats – now that’s a thought, what have we begot in New York City, a place where most traditions have a heritage that go back forever in time….

Brownstone Stoop Culture

brownstone stoops and ironwork, Hicks Street, Brooklyn Heights, New York

photo by Steve Minor

For starters, let’s not forgot that age-old butt softener, New York City Brownstone stoops, attached to the front of its Brownstown Buildings marching from sidewalk to first floor entree, and great place to park one’s butt. New Yorkers have been doing that forever, hang’n on the stoops with the neighbors and friends knocking back a few beers, and engaged in that most import of social discourses, gossiping about who did what to who. Of course in winter it’s a different story, going up and down the stoop, sometimes slipping or sliding, and once again planting your butt on said stairs, but not the way you wanted.

TKTS Times Square


photo by Paul Rivera/ArchPhoto, courtesy of Perkins Eastman

Dorothy had her red slippers, New York has its Red Stairs of Times Square. A viewing gallery for tourists to take in the air and people watch amidst the glitter and glow of all the Times Square frenetic electronic advertising. The Red Stairs, the top of the TKTS Broadway ticket booth (designed by Perkins Eastman), is unusual in that its made completely of red illuminated translucent glass and offers a perfect panoramic viewing point of the surrounding Times Square and if you sit there long enough, to watch almost a million people a day (count ’em if you don’t believe me) pass through it. For professional bench warmers, truly The Crossroads of the World.

The High Line: 10th Avenue Square

10th Avenue Square

photo by Peter Dutton

Moving towards Lower Manhattan in the meat market area, we have New York City’s latest park/playground, The High Line, (designed by New York-based practices James Corner Field Operations and Diller Scofidio + Renfro), an elevated pedestrian concrete walkway enriched with as much flora and flowers that could be seeded into its park-like ground. The High Line is also the first ‘over-the-street’ linear park with a continuous promenade in the United States. If you’re in a walk-a-thon through the park, you might want a time out to sit and rest for a few minutes.

While there are benches everywhere along its elevated pathway, the definite prized sitting area for resting your bod and watching the city go by is the 10th Avenue Square. For the lucky few who get to sit there, it offers a stadium seating -like observation area with a multi-layered space that is actually a sloped ramp that goes all the way to the bottom level in a series of wide zig-zag turns. In a great architectural mash up, the ramp also is framed by a series of ‘benches,’ which invites seating anywhere you want. At the end of the ramp is an observation wall with a series of windows facing out onto 10th Avenue at W 17th Street. From its purpose built space, it’s like being in a ‘sky box’ at a sports stadium whose sport is people watching. Quote the Friends of the High Line: “it all has the feel of an amphitheatre where “The Show” is traffic traveling up and down 10th avenue.”

Broadway Plaza

Broadway Plaza

photo by Louis M. Brill

Now we’re coming up on my favorite “steps,” the Broadway Plaza on Broadway and 65th Street is a small smidgen of steps literally wedged up in front (side?) of Alice Tully Hall. What I love about these steps is that they go “nowhere.” With a steep incline, they have a stadium seating feeling facing the ground floor glass wall of its building frontage. It’s a perfect outdoor spot ignored by almost everyone passing by, except’n of course for the few persons sitting on them.

An for those involved in perfecting their performing skills Broadway Plaza provides a perfect opportunity to perform (rehearse?) in front of a ready made audience all over the plaza steps and waiting for that seridipous moment of free outdoor music to serenade them while engaged with their smart phone chats.

New York City Public Library

Hush Silent Disco by Gawker Media

photo by Scott Beale

New York Public Library, world famous as a library (second largest public library in the United States, behind only the Library of Congress) and in god knows how many films, nothing beats sitting on the steps with a good book and reading between the lions (tip of the hat to Patience and Fortitude), the world-renowned pair of marble lions that stand proudly before the majestic Beaux-Arts book building.

Stair Seats Not To Sit On

We have at least two definite no-nose for butt resting in the wide open, not-so public spaces of NYC. The stairs at the 53rd Street and Lexington Avenue subway stop, noted as one of the longest lengths of uninterrupted staircase connecting to a subway platform. It’s a busy stop especially during rush hours (but then aren’t they all), so as for sitting on those steps, in one word: don’t.

The other would be during the Empire State Building Run To The Top event. That’s 86 floors equaling about 1,576 steps to run up. If some one is sitting on those steps during that event, it was an accident that bumped them down. Annd a great inspiration to get up as fast as possible before being stampeded upon.

The 4th Wall No More, A Review of Sleep No More In New York City


sleep no more nyt

Sleep No More dinner

photos by mordicai

The fourth wall is a theatrical wall that separates the audience from the stage. In performance, the goal is to dissolve that wall by immersively drawing the audience into the performer’s stage experience.

Hidden in New York City is the best live performance show in town and that show, produced by British theater company Punchdrunk in collaboration with Emursive Productions is Sleep No More, which is way off Broadway and way, way out of the box. The show is expressed as a complete non-verbal performance that is loosely based on Macbeth.

For starters there is no auditorium per se, the “setting” of the performance is layered over the five floors of its performing space, otherwise known as the recently “revised” McKittrick Hotel. The audience is encouraged to freely wander from room to room and from floor to floor seeking out various stage settings (examine everything) and independently scattered Sleep performance bits, all woven together in a delicate mise en scene of living theatre.

As audiences enter into the world of Sleep No More, they are given masks to preserve their anonymity and discourage them from talking to friends and fellow audience members. The No Talking rule is carried forwards to the actors as well. Much of the theatrical action is as mime and as much aggressive gesture and physical acting as possible without the actors damaging themselves. There may be no talking, but the multiple sound tracks that echo through each set piece are stunning in their atmospheric presence. There’s nothing like being alone in a desolate ruin and hearing the booming thunder of a distant approaching storm. At any moment, you have expected to be greeted by the walking dead coming to meet with you for an unexpected visit.

To say that many solo and duet performance moments were “off the wall,” hardly begins to describe the pycho drama of the world of Sleep No More. The narrative is more what you make up and experience as you encounter the performers when you find them wandering around the building’s various floors. And each of those floors are all worlds unto themselves, composed of an abandon hospital ward, a children’s bedroom spooked beyond belief, a cemetery, a desolate crumbled ruin of a former brick building. And then there’s the ballroom where all the performers come together for a charming ballroom dance intermingled with its own bizarre psychodrama with one following the other.

As to following the Sleep No More’s narrative, that’s exactly the point of its performances The entire experience is self directed as you wander around its various settings, you’ll encounter various performers wander around finding or fighting off their personal demons. If you’re not sure what to do, follow any of the audience “parades” anywhere you find them and you’ve found the “show.” Do not expect to see everything within the performance as much of the action happens simultaneously as something going on at every moment on each floor. Just follow your instincts on whatever floor you’re on and enjoy the ride.

As you drift around the McKittrick Hotel, sometimes you find the performance, sometimes it finds you. In one instance, I stumbled onto a performance as I walked through a door and suddenly found myself facing the audience as I realized I was standing next to the performers who were seriously engaged in some no-verbal discourse. Opps. I quickly walked to the other side to have a better perspective.

Sleep No More is a show that stays with you long after its over. Its title may also hint as to what happens to your state of mind after seeing the show. Me thinks many an audience member has probably spent that night lying awake trying to figure out what the hell they just saw.

Wear good walking shoes – get there early – prepare to stay late, and check out every room and crowd scene you come across. Feel free to revisit any of the set pieces you previously saw, assuming you can find them again. If living theater is your cup of tea, then Sleep No More is good to the last drop.

Sleep No More
location: The McKittrick Hotel, 530 West 27th Street, New York, NY
running time: three hours, performances through September 3rd.
tickets: OvationTix at 866.811.4111 or